Textura.org (December 2005): "Furtives Furies embraces a frothy electropop style driven by strutting beats, arcade synths, and breathy vocals with Massons alternating between French and English in a bright and innocent hush that sometimes recalls Julee Cruise and Donna Regina... The duo's forte lies in a gentler type of chanson where their natural selves are exposed more nakedly... Massons vocals exhibits an appealing vulnerability..." www.textura.org

The Wire (October 2003): "On The Catnap, Margo heavily layer tiny dots of sound at once intricate and imprecise, these sounds are like droplets of wax, newly melted and quivering with energy."

The New York Times (July 2003) by Jon Pareles: "Miniaturization reigns in the French band Margo. The music on its album, "The Catnap" sounds like it could hide in an anthill without disturbing the ants. Jean-Francois sets up the fugitive sounds and silences of minimal techno; Jerome plays high, attenuated bass lines; Melanie adds transparent keyboard chords and, in a wispy voice that sometimes gets filtered into the electronics, sings appropriate lyrics like "wonderfully fragmentary." It takes true conviction to make music that stays so modest"

The Observer (October 2003): "One Dove meets St Etienne in a sunny Parisian park: if light, sweetly fluffy and slightly dark French pop is your thing, you'll be content enough with this debut of sleepy moog moods"